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Speaking to presenter Dawn O’Porter at the Edinburgh TV Festival, it is Theroux himself who first alluded to Savile early in the hour-long discussion.
The 49-year-old gonzo journalist joked about the prospect of being given a “Jim’ll Fix It Badge” as a reward for a particularly arduous interview early in his career.
A master of the subversive interview, Theroux knows any journalist – even a long-time friend like O’Porter – will inevitably ask the Savile question.
So, was the disgraced entertainer his friend?
He chooses his words carefully: “I would never really call him my friend in a straightforward way. We were friendly. I had friendly feelings towards him.”
Some might say this is semantics rather than a straight answer.Others would say hindsight is a wonderful thing.
Following Savile’s death in 2011, 450 alleged victims contacted the Metropolitan Police in just 10 weeks.
They described the scale of sexual allegations reported against him as “unprecedented”.
While Savile is now known to have been one of the UK’s most prolific sexual predators, when the documentary was made in 2000 he was – in Theroux’s own words – “seen as an irritating old fart”.
Theroux admits the initial interview was pitched “to slightly poke fun at him” rather than with any intention to confront him over any rumours of wrongdoing.
Despite the documentary’s journalistic heart, Theroux insists at the time that “there wasn’t enough to go on to make [Savile’s paedophilia] a relevant topic of inquiry”.
In the programme, it is Savile who brings up the issue of paedophilia, telling Theroux he puts out rumours that he hates children “to put salacious tabloid people off the hunt”.
“Does it work?” asks Theroux.
“It works a dream,” Savile replies.
Theroux describes the exchange as Savile’s hallmark move of being “weirdly brazen”.
Chilling as it is to watch back today, at the time Theroux admits: “I thought he was an okay guy.”
But while admitting he “failed to get to the truth”, he also stands by his work.
“The programme is strong… I watched it since everything came out and it’s still a hard-headed piece of journalism,” he said.
He went on to see Savile “maybe three or four times” after the documentary, even making a mini-show called When Jimmy Met… Louis, in which the tables were turned he visited Theroux’s house and talked to him about his life.
Theroux says Savile liked his work and was accordingly “always happy to be in my orbit. He saw me as a way to stay relevant”.
Following Savile’s death, and subsequent revelations over the extent of his paedophilia, Theroux made a full-length follow-up documentary, Louis Theroux: Savile in which he talked to several of the DJ’s victims.
At the time he described the sequel as “a way to figure out how it was that I’d missed what I’d missed”.
Theroux also says that being duped by Savile has unintentionally given him “an education into how grooming works and how abuse often takes place”.
It is that knowledge that inspired him to tweet about the Channel 4 documentary Leaving Neverland earlier this year, defending the programme’s two subjects – Wade Robson and James Safechuck – who claim they were abused by Michael Jackson as children.
Theroux called Jackson’s defenders “wilfully blind” and accused those campaigning against Robson and Safechuck of “colluding in the silencing of victims”.
He says this post was an exception to his rule: “I generally resist doing tweets that will be controversial or divisive, but on this one I’m going to stick my head above the parapet and take a stand.”
Away from his backward look at Savile, Theroux had future news for his fans.
After 25 years working for the BBC (including “a fallow year when no celebrities would talk to me”), he is setting up his own independent factual entertainment company.
The as-yet-unnamed venture will also be overseen by Theroux’s TV director wife Nancy, and BBC Studios producer Arron Fellows.
Theroux said it will make “first-person documentaries, in which we go to the extremes or find stories which have real intimacy and psychological depth” – describing them as “really well-made, mature, funny, quirky, observational factual documentaries… in the vein of the sorts of things I do, but not necessarily with me in it”.
And why now?
Theroux says that BBC Studios (the commercial arm of the BBC) taking over the production of many formerly in-house produced shows was his “n**ge”.
“I thought if I’m now working for basically a big indie, maybe that’s the time for me to sort my own indie.”
He’s currently “having meetings about how to get the money” for this new endeavour.
Whether Theroux’s work will take on a new direction once he steps out of his BBC role and becomes his own boss remains to be seen.
A self-confessed “creature of habit” who gets the same lunch every day, one would suspect not.
But as the subjects of his documentaries discover to their cost – you underestimate Theroux at your peril.
Matching the current public mood of unrest and disquiet, he admitted he is enjoying a small part of the tempestuous political climate.
Theroux said: “There’s a certain part of this populist moment that I do like. I’ve always had enough of the chaotic pyromaniac in me that I enjoy maverick voices.
“Along with the nonsense and dangerousness and the racism, there’s bits of it that are useful and positive.”
Time will tell what Theroux’s inner “chaotic pyromaniac” has in store for Brexit Britain, but one thing’s for sure, it won’t be boring.
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